imaginary

On the Techno-Imaginary of the Car Battery

Published in: Kröger, Fabian, Zum Techno-Imaginären der Autobatterie, in: Müggenburg, Jan (ed.), Reichweitenangst, Batterien und Akkus als Medien des Digitalen Zeitalters, Transcript 2021, p. 95-110. Full book available (open access). Translation from German to English by the author (02/2023). Looking back at the 20th century, the history of the automobile seems to be primarily associated with […]

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New publication: Les Imaginaires et les Techniques

I am very happy to announce the publication of an anthology edited by Marina Maestrutti and me, covering the relation between technology and the imaginary. Fabian Kröger et Marina Maestrutti (dir.), Les Imaginaires et les Techniques, Presses des Mines, Collection Sciences de la conception, Paris 2018. It is the result of the conference L’Imaginaire et

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Gods, Monsters, Hybrids – An encounter with intermediate automotive creatures at the Paris Motor Show 2006

Fabian Kröger shows how automobile design is changing from functional to symbolic elements by taking up mythological influences and animalistic elements. The Paris Motor Show 2006 revealed this trend, showcasing concept cars that merge divine, demonic, and zoomorphic references. Renault, Citroën, and Peugeot infuse vehicles with totemic significance, embodying human dreams, fears, and aspirations. Automobiles are transformed into symbolic, ritualistic artifacts that blur the lines between man, machine, and nature. These creative stagings embody anthropomorphic dreams, fears and self-images and the ritual charge of the automobile as a transcendental object beyond purely functional utility.

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